Saturday, November 20, 2010

Nobody Knows Me

At all, when the lights are low; I'm with someone I don't know.

I almost feel as if I am holding a white flag in my fists still pumping vitally as if a heartbeat were within the capillaries of my fingers. "Here lies December 12, 2009. Here lies beloved wife of August 1, 2003. What a beautiful, loved, missed, cherished, respectful eveningtide of frog-tubas, star-piccolos, snap-marimbas. Adieu, adieu." I keep telling myself that one day one day won't die. But they always do, anyway. Our hearts are really just gargantuan palaces of these gravestones, and the deceased days lie there, and we never, ever pray for them. I hope somebody prays for me when I die, for my soul is at the mercy of life gone.

Anyway, I don't want to talk about it.
That's the issue. It's that, if you, leave, the, mind,stagnant, enough for, long
it pretty much dies.

Give me back my damn book.
The stickers are still sitting here
along with $4.25 and change
and warmth
and wrapping
and cards
and you're getting it,
but just
Give me back my damn book,
please.
It's hard enough to handle that moment
When it's still a virgin
and it's the wedding
Nothing's changed yet,
She's still who you want her to be forever, there, in her dress.
And then I open the doooo--
CREAK.
And then I feel coldth on my fooo--
CREAK.
I open the door to the bathroom, the most trrrr---
CREAK.
The toilet goe---
CREAK.
CREAK.
CREAK.
All the way back, reverse it.
By then, the whole world plus the bird knows you're awake
and you've consummated
but you don't feel like love, you
Feel like a pervert in the dusk.
When I stood out looking in that crowd
Most faces I could name if I'd like (but I don't want to)
they all seem so purposeful.
They all have something to say
--The faces, not the souls.
No, the souls are stillness in the auditorium.
And they clutch something, Oh, anything to accompany.
I don't feel comfortable being an actress
because eventually she signs a lease to take off her clothes
and kiss some boy she doesn't even love--
and if you didn't love him, why did you kiss him?
Because there's money in lust and in cameras.
So I just sit down and pretend like I have sunglasses on,
and pretend like someone but no one sees
What I'm seeing take place at that moment.
Even in the paralysis on the left,
the right wing huddles and swoops to bandage and cure.
Even in the mute front (all quiet on...)
The back tones of auburn and cigarettes
(Cigarettes is the perfect antepenultimate for any song)
rise above, swimming in the overheard sea of emotion.
There is never silence in the gym.
But, above all else,
I love you and pray for you, and you, you, you
Give me back my damn book.

Monday, November 8, 2010

Dreams of Hartford All of My Life

Don't you ever want to quit humanity?
I really don't get myself, and it's not a matter of progress. It's a matter of:
I am a body who does not know the soul within;
and until I know her,
I'll always be stuck in the Purgatory of my mindscape.

Thursday, October 14, 2010

HOPE is That Thing.

I'm thinking about it a lot more; lately. About IT, you know, that, that little veil that I own that I placed on a mantel a few years back and now I want it back. It was at some relative's house and they have it, and although I keep calling, they will not mail it. Discrepancy, is what hinders. Nothing else, really. It's a really pretty veil, I tell everyone I meet. It's silver, almost, almost shiny as if a fabric could be golden silver.
Yet in its hard tones, it is as soft as a soul in a prison watchtower, who watches the files of criminals as they pass by, wishing for a past of schools and homes and parents who cared enough, just enough...
I think about it every night, and I pick up the phone and dial the number every night, but right when she answers; I hang up.

My Heart's a Drummer

On Mondays when the sky spells out my name in grass on the windowsills,
I pray your name in my whispers and hope that all will be well--
With you, if not with me, if not
With us.

Wednesday, August 25, 2010

Secret

I cry for you sometimes.

Friday, August 20, 2010

When You Can't Help Yourself, Try Harder

Something that's been racking my mind lately. Perhaps it's full of blame and a lack of responsibility on my part, but everyone has ways of venting. And maybe this will never be solved; I just wish to make my sentiments known to absolutely no one at all.
There's a bit of an issue that I won't get haughty about. But I don't appreciate being messed with. If you are my friend, let it be known for a longer span of time than a day or an hour or sometimes a minute. If you are not my friend at all, let it be known constantly. But don't be both of those contradictions, because then I will just be very confused, toyed with, and hurt trying to figure out which of the two categories you will fill in that given instance that we approach each other or talk. I can't always decipher your intent from one meeting to the next; I can't read minds; I can't handle a personality like this. If you wish to be friends, that would be great. Although we sometimes get on each others' nerves, I think we think in common. But even this doesn't obscure the dual-personality tendencies you exhibit while around me. I get it if you're just as messed as I am. I'm pretty sure everyone in this whole damn world is messed. Messed up, messed over, messed with: all the same result, right? A world of sad confusion. But even if you are, that's an issue you should work out. It's not right to hurt people by being bipolar with your friendship. I've been on a bad end of a bad deal for a long time with you, and I've just watched it unfold and fold itself again only to repeat. What should I do? Ignore you as you can me? The dramatics come into effect, and I dislike being the "dramatic" one as I was 2 years ago. It's not a fun job title to procure. I've had some of my best sophomore memories with you in more respects than one. Sophomore time of being alive and living. I came over to the school with inhibitions about friendship and getting close to people. I think I become too familiar with you, because it shouldn't upset me this much. It is the instances like you that will make me even more apprehensive about friendship. Thank you. So, if you're messed, talk. If you're fine and unaware: there's not much I can do. It's not like I haven't told you this. Sounding like a broken record is not an admirable quality that will make you want to be friends with me. But again, the old-age question of freshman summer--"Why should I have to prove anything?" Do I feel you're worth it? Sometimes I do. Sometimes I don't. It depends on who you were to me that day. I don't like tangible roller coasters, and you've seen me approach them with hesitance and fright, so please don't put me on one right now. I'm a person, and although I am cold and distant for most of life, I do care about you and it hurts to be toyed with. In the case that you don't want to be friends and you are (very unconvincingly) humouring me, it would hurt a great deal to be broken off from you because I think we are friends (?), but it would be a hurt that I'd move on from. It's like a broken bone; you just adapt and move on with a cast on your arm until one day you wake up and you are fine. I've done shit like that before. I can rinse and repeat. But continual and dull pain just becomes an annoyance. If it varies, it becomes unexpected. I never know. So, if you break it off today, tomorrow, next week, do it. If that's how you intend it to be for 2 more years. I try not to need people, so you'll just be another gerbil in that experiment. Just break it off and please, after, do not consider me at all because that's what I'll be doing for you. 2 YEARS, two years. It seems a lifetime ahead, stretched over moments where you'll be this and that and nothing at all sometimes, but it's closer than we think. It's sad that you're the kind-of-person I add to my "will-not-contact-after-having-parted" list. And maybe my friendship isn't worth it for you. It's only been less than a year and it's already an issue. Record timing. Be someone constant in my life, whether it's a friend or a nothing-at-all face I used to know. I can accept both. Just please give me one. That's all I ask of you.
Another day to watch; who will you be today?

Wednesday, June 30, 2010

Truth Is

It's the silence between the notes that really gets to us.

Monday, June 28, 2010

Got Me Nothing

"It's a funny world where machines can replace people."
Funny how all we say used to be hypothetical.
Funny how what we can't conceive will be normal in a few years.
Funny how we can't duck the future.
Funny how we perish in the past, cherish the present, languish all the while.

You know, a breach of privacy is a tidy little box in my mind at the moment. It's a quiet little box that keeps trying to unpack the foam peanuts on my floor upstairs. In a fit, they flew to the ground like they always would.
Would it be wise to use the word "no"? Contextually?

Down Upside Rumours

Let's explore yen.
One side of the problem: the other side of the problem. I'm scared of tallying up my discoveries on papers like I tried once. I feel as I failed. Typer.

Friday, June 18, 2010

Children With Asthma and Good Mothers

I saw a little boy today. Actually, I never saw his face or his mother's face. She was reading him a book about proper inhaler use. She was patient and she had a kind, young, pretty voice. She was a mother.

I saw a little girl today. She was dancing while a blues band played rip-offs of The Fabulous Thunderbirds. A woman in a white dress got up and danced with her and held her hands and smiled with sunglasses atop her head and white sandals abellow her feet.

I saw a man who ate a salad alone, at a far off-table. Then he ate a pretzel and I never saw the man again. He probably got in his car and listened to some Jefferson Airplane.

It's amazing the things you can understand when you look at people. It's amazing the things you can understand when people look back at you.

Then we set out little French fries for the crows and they flew in, one by black and iridescent one, and gobbled them down like presh little fotatoes. I incidentally got some Nutella on my mother's doily that my grandmother had made. I bet my grandmother didn't even know what Nutella was when she made it. That's what occurred to me when I did this, so I immediately attempted to remove the Nutella. My poor grandmother would have thought it was chocolate, but it wasn't. It still bothers me.

But Houston will always bother me the most. And the things that we said there to each other.

It's funny how when you don't see someone for a while, they become unreal. They become something much less than human, something too obsolete. They become a word or a bother or a worry or a feeling. But they never become a name until you can hold their hand when you won't. It's not transitional either; they're just real one moment and unreal and real and unreal. I have a hard time regarding people as real people... When it echoes, they just become the echoes and not the origin, and that's a scary thing to have friends who are echoes. Because you can't hug an echo. And echoes cannot say anything that they are not programmed and taught to say; they will say what you say. And friends who agree are not friends at all.

Folding Chair Next To Me

"Maybe one day you will understand that I don't want nothing from you... Just to sweetly hold your hand. Until that day, please don't be so down. Don't make frowns, you silly clown!"
-Ms. Regina Spektor.

Do we all want that?

There's so much to say, so much time and so little time. I don't know where to start it.
I feel like a failure because I can't get that song... So I learn easier ones? What am I doing?
What?
WHAT?
Yeah, that's pretty much it. I feel like a Gershwin piece for the orchestra... I feel like moving to Taiping and becoming Buddhist and spending the rest of my life sans contact save for music, piano, journal, pen pencil... In the off-somewhere, just thinking. We're all going to die with something missing from us; you know that, right? We're all buried when death untangles the navels and we're buried under some minerals and some worms who know.
I do think that some people know... That woman in the middle of the road.
And then there was that man without a leg, not even begging. He was just sitting in the shade of a highway overpass.
And the girl with a bandanna to cover nothing. She was younger than me. It was wrong.
And greeters at the stores who don't smile; and the greeters at the doors who smile but wish they wouldn't have to.
And the people in alleys with no chances and no choices.

That's life at its truest. It's pure and it's raw; it's unfiltered and it's ready to understand right now.
And then there's the balance:
We need a belief. We need love. We need kindness and personality and understanding.

But there's something else that I know that we're missing. And this bothers me every single day of my life... All of the moments I spend trying to be a good person but I still feel filthy; all of the moments I spent acting selfishly and I think nothing of it until it is too late... All of the moments that I breathe anything, anything, anything: the thought is always there.
And it's always nagging at me.
It's always telling me there's something missing from the world and from our knowledge that I can't die until I find. I can't die without knowing this one thing, but I do not know what this thing is or how to find it. It's like life has asked me to complete a task but continued no further than the last and the first instruction. It has left me with nothing but a want. I will discover this unimaginable trait one day. I'm afraid that I'll turn insane in the process.
It is all about how we curdle.
We all curdle and crumble and cook up, fry up differently. We will all lead different lives and want the same things. We will all follow the same death.

A FUNNY THING:
Anesthesia. It is truly funny.
Because we can withstand a stab wound and we can stand on buildings and scream like little beaten eggs; we can write beautiful, timeless pieces of orchestral proportions, we can glue macaroni and cheese to paper and make a heart melt.
I can go
and I can
do whatever I like.

But when you give me anesthetics, I will fall asleep. And that makes me laugh because we think we are capable of so much, but when we are given a tiny dose of a chemical we are under its control. No matter who you are, let's face the facts:
-You will fall asleep.
-You will get sad.
-You will die.

And that's life in its harshest form. We all need to accept that. I wonder what will matter to me when I'm almost done. I won't remember faces or names or foods or hobbies or loves or nightmares... I won't want to remember. Dying is just an event like all else; it is a soccer game and a concert and a school dance... Just go with it.

The sweet little crickets are humming outside of my window and the clock is telling me that it is 10:47 pm. I don't agree with either one.

You know what's beautiful? Caring for a creature that cannot care for itself, like a baby or a dog or a cat. Imagine the daily relief (unobserved yet unconscious) of a creature such as this. Sometimes the beauty of it makes me want to cry when I look at my own pets and I wonder where they'd be if we hadn't have taken them. If I can save something, I will.

Reading is a good thing.

Wednesday, June 9, 2010

A Prelude Nocturne

I think that the pink in the sky really did it. Yesterday I just felt a little more perfect than I've ever felt without a situation transpiring, and it was lovely to know that I don't need a situation to smile. I just need to be myself. And smile to strangers; that always helps, yes.
Let summer begin.

Saturday, June 5, 2010

A Wishlist Kind of Life

"Do they collide?" I ask, and you smile. With my feet on the dash, the world doesn't matter.

Well, Please Let Me Teach You.

American Ballerina: Coming Soon.

Do I ever make sense? Just wondering.

So, dear world, let me attempt to share some wisdom.

I think...

I was trying a small experiment. It is said in places that the solemn, those with seldom solemnities and soarings, those, those, those are happy truly. Though they sit in silence, they truly reap silence and harvest wisdom. Words are not wisdom to them. However, the sullen and dreary are not happy. At least... Not when they are me. Then I took a 180 down a road and became rather secular and of Terra. Lovely, light; kind of pertinent as that Whips Yoghurt Shit. Yes. I felt delicious, but I felt so mundane. Nobody likes yoghurt enough to pack it for lunch.
There must be a grey, though. We all polarize to the blacks and to the whites, and we don't mix the apples and oranges to make a lovely citrus, warm, fruity concoction. We must. There must be. I can't quite figure it out. It seems that it should be easy.
You see, when I lie awake or when I am asleep and haunted by murderous nightmares, I think of the "missed" matter in the world.
Math isn't math. We're all wrong! The road diverged quite a while back, with Rene Descartes and with Pythagoras; we accepted it. I can't... I mean, I can, to make an A. But in reality, the flast reality that is my head, math is not math.
And the words that we are speaking? In context? What are they really? A societal method of clearer understanding, but at what price? To where the manufactured vowels and sounds, organized and tried true by the Ages, are suddenly deemed as "banned" in a certain order?
I really wish that / wonder if Hitler had sat back once, just once, and wondered and wished what I am now wondering and wishing.
The problem is that I am not a pushover, but I'm quiet.
And I'm loud, but I'm not an asshole.
I expatiate at great lengths, but I am not as confident as it would appear to not be.
I struggle, but I get nowhere with my perfection progression.

Love, Bianca.

So, it happened today just as perfectly as the movies.
I passed him in the halls several times. I couldn't really bring myself to say goodbye. I've never liked that "formal goodbye" thing. Where you just know it is the end, and you make that fact apparent. No, in the Goodbye Moments I just grow in observance and taciturnity. Some might regard me as cold and composed, but on the inside I am waving so fervently I fear my own veins will delve.
I certainly couldn't interrupt a conversation between two fleeting persons. I certainly couldn't even glance as I passed.
No,
I
just
walked out the door and didn't look back at all. Really. That's how it happened.
And in my mind, this is how it happened:
"I will miss you, good man. I will."

I left as cold as the day I had come, when I didn't even know a thing about life up to that point in my life.
But when I returned, he was in his truck and I waved goodbye and watched him drive off somewhere. I didn't cry, but I could have. I didn't. Maybe I wanted to.
And this is how it really happened:
"Goodbye!"
I smiled as I walked into the building. I know that was the last time I'd see him for a while, and I felt incredibly saddened. But it was all right in that moment; it was okay to be sad.

I must admit... I'm very frightened. Summer is beginning, and I don't know how to be free again. Last summer, each night was spent. Just that: spent. Not doing anything or talking or being, but spent they were, sin embargo. I'm scared now because I listen to music and sometimes I want to cry. One day these will be melodies of the past... One day very soon. Each day, the past becomes an increasingly more clear-cut definition:
A YEAR.
A MONTH.
YESTERDAY.
YESTERDAY.
YESTERDAY.

We're never really ready when they throw us to the lions, are we?
A new season or mark in Time usually deserves a list.

MY LIST OF SUMMER GOALS:
-Photography. Learn it. Experiment: with film types, speeds, push processing, holding back, papers, situations, themes. Learn that damn Minolta Maxxum 7000 like the back of my hand.
-Reading. The classics. Beat Susan.
-Be. Just be.
-Freedom time.
-Piano. I'm a lazy ass.
-Make discoveries.
-Music...Get those CDs. Finally make a mix tape.

...Very scared.
You see, I feel as though I have something profusely profound to proclaim and if I continue rambling and stalling ignorance for time, that will surface and make itself well-known among my molars.

"I'm inside your mouth now, behind your tonsils, peaking over your molars."

"Ode to Divorce" was the summer song last summer. Not... a good thing...
I had my eyes open, though; I guess I did that to dry any tears.
Now that I've closed them, they don't leak anymore.
I can't really decide on which combination I prefer. You can't have tears in your eyes and shut them tight... You will drown yourself to death in the end.
And if your eyes are dry and open, you will become blind from the sights that you see sans aide of a little few magnification droplets.
I remember, one night I sat at my keyboard
and I thought
"To hell with this world."
I played quite a few songs. I sang them very loudly. The whole scene was very haphazard, very sloppy and angry. And like Cheerios and glue on cardboard, it was 'beautiful.'

Do you think there's something better to be than human?

There's this dream I have. I want to go to this grave, and I want to leave something. I'm scared that the sovereign subjects, of, of them. I'm scared of all of them. I go to Sam's Club and there they are, buying sodas and groceries. There needs to be something else. By Jove, I will go insane finding this missing piece. I will. Sometimes I wish the subdued lacking would return from its shadow in the Younger Days and I could dance freely, but right now I waltz with an elephant in the room. Nobody wants to talk about the sad, little lives we lead on leashes, very short leashes. I think they are very happy lives, but they are not contented. I don't do happy; I do content.

So, tonight is the first night of my Summertime affair with experimentation. Afraid. Alone, too alone to turn off the music and face the silence in my couch upstairs. Too afraid to walk up the stairs in the dark and in the night. Too afraid to leave the music.

...Therefore, I am.

Monday, May 24, 2010

Rhapsody

George Gershwin- Rhapsody in Blue (for piano). GENIUS.
It's probably my favorite song of the moment, because it is keeping me alive and awake. Barely.
Some other favorites of the moment include:
Lara's Theme from Dr. Zhivago
Jesusland by Ben Folds
Nocturne Op. 9 No. 2 by Chopin

(I'M LEARNING ALL OF THOSE ON PIANO!)

I, however, am NOT learning Rhapsody in Blue. It's crazy hard! I'd probably give myself a heart attack if I tried. Maybe one day!

Check it out! These are all great songs to listen to while doing homework. They're calming but still keep you awake. They're perfect.

Sunday, May 23, 2010

Stillness of the Mind

Is what I am currently listening to. Off of the "A Single Man" soundtrack, introduced to me by my friend Sarah. Lovely.

I think the world is a dreadful place for a person who can put it all in perspective. Who has that horrid, horrid stride backwards to peer into the glass window that our purple little noses are mashed up against, as they have been, so that it seems not like glass at all. And then the shooting line emerges: they all, one by one and in complete and strict time, fall into neat little geometric figures and are free from life's obscenities. Free, but utterly dumbfounded at the numbers and progressive evil that has wrapped itself within the confines of a pristine haven. Free, but left to witness. It is much akin to the situation of a survivor of a shipwreck: the living all are set deep within their lifeboats to view the spectacle of a thousand dreams, ten thousand families, one-hundred-thousand could-have-beens-but-will-never-be's float and bob in the fireworks of a groaning and failing mechanism. With quick yet mercilessly un-hastened time, the familiar is sent to its grave in an unknown recess of pivotally subdued hues, black, black, all they see stretched in the corners of their unforgiving and opened eyes. There is no time for grieving the past in the situation, for the impending need for survival among strange people and even stranger seas rears its reality and the grieving is left to the ultimately surviving, to tell their stories with a smile by day but to weep incessantly by night, 'neath their sheaths of white and grey strands.
Thus is the mind of a free one. Whilst held captive by society's delightful grasp and light show of "happiness," there is not a worry for a blind eye. Once the reflection is clear and the glass has been voyaged away from--perhaps a good 4 feet is all it takes?--the shock ensues painlessly, sans a twinge of numb or pain. Then is the world, in all its former and gaudy splendor, laid out like a feast of poison grapes, morphine apples strewn about by the hand of a great being on satin asbestos.
Then we are left to be shot; bullets of crystalline ignorance encrypt a Braille aphorism upon our beaten backs.

I cannot unhinge my ankles enough to dare this. But I can, at times, catch a lachrymose view of it all. I feel as though I am atop Mount Everest itself, sore, exhausted, weeping without a slight manner.

I really do find reality quite interesting. Then I must step back into it, and return to the duties of Spring.


Wednesday, May 12, 2010

The Morning After (I Say Yes)

"Say Yes" by Elliot Smith.

It goes back to April 2008... That's the song Kumal played, that I called "The Morning After" for so long. That struck a chord with me. That, upon first time of hearing it, I adored it. This is an atypical occurrence with me. The song truly struck me and I even composed a poem (well, I can't call it that since I was so young and the poem is not good at all) after it. I could never figure out the song since I had not yet been fully introduced to the concept of YouTube. Mr. Ben Folds opened with this song at my show, and it sounded incredibly familiar and impeccability well-sung and composed. I wanted to find out more. I did not. I did, however, discover that the name of the song is "Say Yes" since my friend was lucky enough to snag the set list after the concert. Still familiar. I just recently checked up on Ben's MySpace music profile and saw an update that talked about him covering a song by Elliot Smith. Naturally, I clicked on it since what I've heard of Elliot Smith so far has been good. The video went on to explain that he covered "Say Yes" by Elliot Smith for some Chicago promo-type deal.
So that's what it is.
"Say Yes" by Elliot Smith. After 2 years and a month, I've found the song. Thank you, Elliot Smith, for composing such a touching song. And thank you, Ben Folds, for having a delightful taste in music and having such talent and wisdom as to choose this song to cover and open a concert with. Bold move, good move.

Sunday, May 2, 2010

Ten Minutes to Twelve

I sit, awake, working on an English outline. Why?

Today I drove in the back of a pick-up truck to an ice-cream joint where I was lent money by a friend of mine. It led me to a strong compelling sense to open the door to my brother's room and sift through the old photography that lays dormant there beside his arched-and-never-opened window. I realized that I was a very cute toddler and my mother was a very beautiful middle-aged young mother. Then I put some of my photography in a crappy frame. Sometimes I get a little too proud... I need 30 years. Give me 30 years, world, and I promise I will return with talent and love.

But for tonight, I will remain in my room with a cloth draped over my knees and a glaze dropped over my eyelids.

Narcolepsy Fell Asleep

Well, that's done. I wish I could be less observant of myself. Maybe then I would be less aware of myself and a little more innocent.

I'm missing the war.

Saturday, April 24, 2010

I'm Still Frustrated From Last Night

I don't remember my story, really. I love it. Coming to the pen or mouse and formulating a story then forgetting it, as if to read it with fresh eyes and mindset the next morning. Like a newcomer.
Well this one marks the end of my compilation for English. I felt like Benjamin, "7 down and 4.5 tomorrow and I'll be out of here." Well, I'm out of here and it's 4:50 a.m. I don't mind the latter part of that sentence, really, but the first part...

Friday, April 23, 2010

Narcolepsy Falls Asleep

Sheep laced his eyelids as he chased them with a rounded staff. It was 30 May in a sweet, breathy time of 1965. Summer had held its door open for the other three seasons, and now it simply awaited its turn at the threshold. Air was saturated with its arrival, and in rooms above and below the man's room children could be heard and seen. A happy time for all, and a happy time for the healthy. For the ill and their friends, the summer seemed as nothing but a warmth to put one to sleep. Crickets still hummed at his windowsill, and he choked down the desire to swallow a sleep pill of summer spring morning, and assembled his frame to stumble into the morning. Unbearably half asleep, his eyes could not contrast the images of his dreams which still played with the stark images of reality. He turned on his car, and on his radio, and hummed a silent cricket hymn all the way to the hospital parking lot.
A usual pity spot was vacant for his arrival, and nurses could be seen up the width and length of halls with eyes fixated on their watches, then on him. He was a regular.
A cricket fanfare still replayed in his mind by the time the elevator reached the fifth floor. The trumpets were really swinging, and those bass tones were perfectly tuned. He rushed his stroll a bit and reached a white room in the midst of a hundred other white rooms.
"What'll it be today?" A familiar voice called from a pair of eyes focused solely on Silias Parkway.
"Sonatina in F, Clementi. Second movement." From below the glassed eyes, a smile formed where there was once none. She came into full view very quietly, much like a horrendous mirage of illness and malady. Her grace and acceptance could balance and neutralize the mutest of malicious fates, though, and it enveloped the room and even the corners. It somehow managed to miss her, though. Every time he tried.
"Tell me of your dream."
"I was in the sea, and I was drowning. You slept at the bottom, but you weren't drowning. Just alive."
"How could I be alive, asleep, underwater, and not drowning all at once, dear?"
"Once you sleep, you will understand the nature of dreams." He sighed and wrung his towel-mop hands. Moping the floor of his forehead from a summer splash of dew, he continued with a wearier tone than before, "Wouldn't it be wonderful if you could recount such tales to me? If the story could be switched and the tables turned? I would love to hear the pages of your mind."
"I'm much too preoccupied to sleep."
"You're ill. Your main occupation is health, and I think sleep will aide that."
A quiet hum of the sink next door filled in a quieter void. The left unsaid hung there like a presage: the couple knew of the woman's fate. Sleep nor dreams could not serve her well, for they knew all too well that her hospital bed was indeed her deathbed. Now they just gambled a game called "waiting."
When the night had beckoned in an azure of the saddest and most absent sun, she asked him to take his leave. She ushered him out the door with her stern voice, void of wonder of anything save a starving death of living. Back on the streets, the alive looked dead as well. Those without beds or a place of rest wandered without purpose on the streets in the summer, basking in an antithesis of summer meaning. He quickly sidestepped them all, but even more quickly glanced a minute view to their eyes. Glazed over and deprive of sleep, a human could only appear alive in the least sense. Rather sad, he thought, that they were left uninvited to the land of Nod, to lay upon the breast of sleep and dream and the mind at its least unshed of reality. How sad, how sad, he thought again, that they would spend 24 hours in reality while he would only spend 18 in the spiteful state.
Summer drowsiness awoke him the next morning, just as the last 237. Just another tick in the final count of the days it took to decay her soul and body of a deathly life.
"What'll it be today?"
"Nocturne, Chopin. Second."
"Now you're just teasing me," she simpered. Always so good-natured, always so naive. He took a seat next to her and studied Silias Parkway. A large school obstructed most of the view of the pier, but a small skyline of water and wood could be barely seen. A child hopped into school, backpack slung over her shoulder, and he watched her as she appeared in intervals at the school's windows. Like little frames of a camera film, he watched her voyage from the school yard to her teacher's room. Turning to the woman, he gave a side grin of victory.
"No dream last night. Pitifully black, and sorrowfully silent. That is all I can recall."
"Now I know you're teasing me."
"I want you to see for yourself."
"You know that my days are short." Her voice was suddenly small, childlike. She couldn't face him, and instead intently studied the lamppost on Silias. He felt as though he had reprimanded her, for she looked guilty of an imminent but unwanted fate. "I cannot spend days asleep when soon that'll be my only way to spend them."
"You're already dead, damn it! Look at yourself!"
Ashamed, he found himself in the middle of the parking lot.
Asleep, he found himself on the kitchen table next to a small wallet that was not his own. The wallet's contents soon were splayed by his hands, and carefully arranged on the illusion floor. Pictures, all a deep shade of tungsten and flash, covered every inch of the floor until he felt as though they formed a sea of frozen memories. He had to escape them; he was drowning in her even in his sweet nighttime memories and moments. Images mirrored on the walls of every room in the apartment, and his closed eye grew sleepy with drunkenness. Tired and willing, he awoke in a pallid pearl sweat of the same summer that greeted him the night before and the 237 before that. Tick, tick.
She didn't want to talk about anything this morning. Anything but Silias parkway, anyway. She expatiated in great detail the emotion that the playful school children led her to feel, and the contrast of a summer scene of sea behind the fall and spring staple of school. She spoke, eloquently and in painstaking detail, of the contrast of hues and skies and the different episodes and stations the weather seemed to teeter between. She showed him short stories she had written, in a shaky hand, the night before of what she thought dreaming must feel like.
He knew that she felt she had something to prove.
She was trying to prove that she wasn't dead yet, and she could try her hardest to observe and record what she had left of her minutes. She scrunched her limited time like an alloted ink pad, composing verse and mathematics of the chaos theory that is life. Sickened and saddened, he abrogated her proof.
"I had a dream about you last night."
"A dream of the dreamless one? Ironic, isn't it? Are you beckoning me teasingly again into something I cannot have?"
He left no detail suspended and left a space of silence and listening for her to fill as she wished. Again, the sink next door, seemingly omni-running, spilled out a solo of droplets until she had heard enough and wished to talk of her own accord.
"What'll it be today?"
He already had a reply in his mind. "Rhapsody in Blue, Gershwin."
"I'll have none of that." She took his hand and tried to appear as though she had forgotten the past day's comment.
Once she saw to it that he had left and driven off of Silias Parkway, she leaned against the dark glass and closed her eyes. She filled the blank canvas of her mind with paint, and tried to arrange them into an image with form and line and color and shape, but they just remained the haphazard guts of thought and wishes. She closed her eyes tighter, and could see a deepest shade of sea glass, warm in hues of winter and frigid in its summer pallet. Why, she conjured within her mind, what a ridiculous view of life. She scoffed and lifted her eyelids and peered some more into the night life of an empty street.

When the pair of angel eyelashes met, in the frame of a fifth floor window overlooking Silias Parkway, the other half of the story lay like a welcoming tomb of thought on his bed. On the streets and in homes, true life asphyxiated the life that lay beneath those eyelashes, beneath the dense and dull skull frame of men. Beneath the flesh and pity and guns and money lay a world unfettered by the fates or the sun, in which only the moon could drench so generously in an appropriated span of hours. And in the frame of that fifth floor window, Silias Parkway watched her unlatch the door of her mind, and allow a free strangling of her dying soul.
He needed to make her see that the only murderer in her hospital room was life, that sick variation of life that lay awake like strewn parts of a human on the streets. That sick life that found homes within strangers' eyes, homes among soft moonlight, a home in the heart of a stranger in a white room.

On the 240th morning on the sunny sidewalk set on June 2, 1965, he set out into his car and radio and cricket symphony routine with a purpose. When he met her in the room, he began to speak vehemently before filling her ears with the foolish nonsense of a song.
"I didn't dream last night. I didn't even sleep. I read an old book I found in the closet that belonged to your sister. She had given it to you as a present and you tossed it among the old photos and yearbooks." Staring still, her voice was taciturn and controlled as she mumbled an appropriate response to the outlandish greeting. He did not know her well, but he understood that this meant to continue. "It was about a little boy who was abused and beaten by his father, but the mother loved the boy very much but couldn't tear the family apart. The mother wished to keep the integrity of a family image, even if it hurt her and the boy. Besides the point, yes, that it. Anyway, one night the boy was feared the be growing old enough to understand the reality of his father's beatings and temper. He found that, for the first time in his short and single digit years, he could not sleep. His mother walked into the room at around 1 a.m. to check on him and asked him why he was still lying awake and so still. He answered that he began to have spells of memories in the past few nights, and they were so entertainingly real and violent that he could not bear to enhance them with the lenses of sleep. His mother told him that sheep grazed in peaceful rows of 10 each night in the minds of every sleeper, and a fence was constructed next to them. She told him that if he closed his eyes and counted the sheep jumping over the fence, they would herd him into a gentle slumber full of silent and still dreams. She left, and he closed his eyes but saw nothing. The poor boy trusted his loving mother so much that he stole away from the house at that nighttime hour and wandered into a neighbor's farm to count the sheep. He began to count them one by one, and noticed a row with only 9. And then a row with only 4. And several with numbers far from 10, in either direction. He began to grow frightfully worried and fretted that his dreams would not be as peaceful without the grazing herders in proper rows. He ventured into the forests in search of the sheep so that he might sleep, and his wish was granted upon a soft and damp stone where he lay his head a few hours after searching earnestly. When he awoke, a spot in the overhead foliage exposed his young eyes to the sun all too quickly, and the morning sight erased the memory of the night before or any night or day before. He quietly and politely cursed the sun in a way only young boys can do, and headed West in search of an answer to his confusion. No one knows what became of the boy, but he never returned to his mother and father. His mother was martyred for her efforts a short 4 years later, and buried under the floorboards." He breathed that little gulp that came with every ending.
She was asleep, head still propped up as if to view Silias Parkway upon awakening to a cruel world of hospitals and sleepless sleepers.

Irony and sleep share a surname, he whispered into the moon on the night of June 2. Dream.
He joined the ranks of the sleepless that night and felt that his deed had been done. When he stumbled up the elevator into her room the next morning, he took a seat next to her and studied Silias Parkway.
"The children are no longer in school, love. They got out yesterday, and now they're all down at the pier and behind the view. You wouldn't be able to see them anyway. You wouldn't like it anyway. Not here, love."
He crept silently to the threshold of the white room a good three hours later, but stopped as if he had forgotten something. The nurses down the hall halted in the moment with him, and even the cricket symphony politely muted the tenors as he turn on one heel and said, "Yesterday was Waltz in A Major, Alexander Gretchaninoff. Today would have been Etude in C Major, Stephen Heller."
Silias Parkway smiled in response.

Narcolepsy Falls Asleep

To be continued when I return. I have a plot line, yes, a rather atypical "to-do" list of literature. I've never cared for those, but I suppose I would have forgotten all of my horrible ideas last night. Now I just remember my horrible ideas and can translate them into horrible literature. This plot lines seems a difficult one to take on... Much too somber, morphing iridescently with irony, and then into something of a sort of mixed symbols that are not even with my own accord. We'll see how I fare this feat.

Tuesday, April 20, 2010

Monday, April 19, 2010

Continue

Why am I here and not there?
Why do I sleep in a comfortable bed at a comfortable temperature with blankets and music, and not in a gutter somewhere next to my dead colleague? Why was I born here, and not somewhere where I learn to just survive? Why do I complain about homework when others keep muted complaints about disease and death? Why am I not shot or killed or run over, but innocent people are? Why do I continue to wrong the world and add to its wrongness?
The people who have come before before me have placed me in this position. They've murdered and tortured and wept and died, and I ended up here. Now they're demanding an answer to all of the above, and I just don't know that answer.
When you look at the bigger picture, every word becomes but a speck on life's fairgrounds. I think I've stepped out of frame for too long, and I'm halfheartedly fighting my way back in.
I'll never be a good person.
I'll never be a good person.
Because I am distracted. They're throwing this shit at me and asking me to sit down and solve problems and I just want to solve the real problems. The ones that have no answers.
The mathematical formula to the delicate web of life.

A Question That Others Force Me To Live With

Why am I here and not there?

Sunday, April 18, 2010

The Carred Egg

No abrogation is a good thing.

No... Well the daylight has faded already.
I must go. But I just can't wait 'til the future gets here.

Wait. Wait. A note.
So I think that it's odd how all the homeless live in the forests near my house. People look at them and think that they have a wasted life, just like people look at anyone and think "What a waste." What a waste... You can never really know what's inside their head, and I believe you can create your own heaven or hell on Earth. Depends on who you are. The mind is a powerful thing, and although it never colors a black and grey world, it can at least give you a POLA or Skylight lens. Right? That's the beautiful thing. Anyone can be anyone. We'll never know if the killer with the gun in his hand is truly a child, or if the man he has shot is truly a child, or if we are all just children of a greater purpose and thought process.

So that's why I'm quiet at the dinner table.

Friday, April 16, 2010

Organization is a Good Thing

I erased all of it. It was shit.
So I sit down at the piano, and I can't really organize anything into anything that is unique. I feel like I'm just sitting there, not to let my tongue LICK THE KEYS! But to just be there. In the hopes that one day, one sorry day, it will amount to something that I'll enjoy for greater than an hour.
The typer, the typer. And the Holga. The want!
The songs I write. Well, there are none. When I do... Oh, lord, I'll tell you. When I do... You watch out. I'll never admit it. Never admit such a thing!

Wednesday, April 7, 2010

Filling The Nothing With Nothing In A Way That We've Made More Room For The Nothingstuffs

So just the thought while passing on the highway on the way to get a passport (Oh the odd things the mind comes to term with while within glancing radius of glass-glance material, as I call the formerly referred to as: WINDOWS. I amble in my speech).
The somethingstuffs:
In a time much much earlier, when there was nothing at all. And to suppress the victory of the nothing at all, men created something. I like, as we all do, to call this something sought after yet once oh-so-attainable: "The Meaning of Life." Cheesy. Cliche. I know. And the somethingstuffs: the men would confer and converse in the visceral and vernacular of the current yet passed moments, and conclusions were reached! Lo! Behold! Aw hell: Lo AND Behold! Now let us hunt a muskrat.
That was it. They got it, by Jove and by Jove's muse as well! It was due to the nothing that the something was reached.
Supply into the story some 4 million years, shave or shade in 5 thousand or so? Ah the terms reached in THESE nothingstuffs time. For we filled that nothing with something that was really quite much of nothing. The somethingstuffs had grown tiresome and taciturn in expression, thus is born the nothingstuffs BEGUILED AS SOMETHINGSTUFFS! And we are all led down the shimmery, shanky path of the more exalted and hallelujahed nothingstuffs. But the earlier presented and somewhat accepted somethingstuffs are gone. Goodbye, somethingstuffs.
Now we are here. And we continue to misunderstand:
No one can find the meaning of life. They keep searching and searching and people keep adding in devices and buildings that will make us live some 50, some 70, some 100 long 365-day-filled terms! Here we are, in the midst of humanity, erecting immortality with a mere crane. It is unachievable. Do me no repercussions, but I fear that the second yet metaphorical Tower of Babel is in the process of being built, as it has for the past 4 million years passed. We keep it up, the supplies, the words, the everythingstuffs, to construct this glorious and invisible tower: reaching God in immortality, subconsciously rather mind you!-and yet we lose the larger window view. That it is unattainable.
Although, the cheesily monikered "Meaning of Life" is most certainly attainable. Easily. But the world is a black hole miles from Black Holes. What we fear--the loss of all, the loss of life, the loss, the loss, has driven us to a muted craze that seems not a craze at all. An avoidance of pain and contemplation. Yes we esteem ourselves as a creature of "not-this" habit, as I so readily admit I am as guilty as you to. I veer and I vile. This is not it. What was I saying? Ah yes.
So in effect, these nothingstuffs and just pushed us further back. In an attempt to reach truth, we substituted lying in the meanwhile while the truth was being put on hold, complete with the utterly despicable theme song of humanity (I call this tune--the laughter). Irony and lives and so heavily intertwined, even more so after this adaptation to the lies, that the two are as a coupled marriage pair: the vows cannot be broken by our human fingers, the cause of such grief and woe!
Woe! Woe! Woah...
It is done. Let it be done. Until it is undone, I will sit alone by my bedside in the 4 am's that my street neighbors regard as daylight (damn the nocturnal man of Earth), substituting my own perceived truths for my rightful spot in the dreary land of Nod.

You're the magic that holds the sky from the ground.

She ambled about the gravely grounds
Cigarette in hands
Hands in hair
Hair on fire, eyes on fire, life on fire for all I know, young miss.
You had a vein about you
In a way
Where you seemed to walk with someone,
yet next to you was only the Springwarmair.
That's all.
Perhaps a stroll with a cigarette is doing you good?
And the words fly off your lips,
The smoke does not choke for once,
I don't understand
Why you walk alone yet together
And you're alone yet
Give off the aire of being... unalone?
Just not lonely.

Just not alone.

(That was horrible.)

Saturday, April 3, 2010

I Gave My Hands a Bubble Bath (Unabridged and Part II)

Then at the restaurant, (yes I was here, wasn't I?) I got all this food and it tasted great. I was quiet so I slipped off into the bathroom and felt the eyes of the potatoes on the plates of old men staring at me, and the walls were a little too green for my green tastes. I felt insane, so I washed my hands. But when I lifted them to a towel to dry, they still felt filthy. I felt filthy. And it was a feeling that didn't go away. Because I knew that when I walked out into that restaurant, every effing window would scream a symbol at me and every person and their words that dripped like chocolate bunnies in an oven, all of it, all of it, it wouldn't stop. As long as the Earth spins, so does my head. And I think my head will win this staring contest. But I dried my hands anyways, gave myself a choked smile in the dirty mirror and left the clean bathroom. The potatoes greeted me: "Hello, Amy!" "Creep!" I replied. You'd think they were pirates or something. I went back to the table and left and put on "Kylie from Connecticut."
KYYYYYLIE, IS CALLING, FROM CONNECTICUT! called Ben.
"Creep!" I replied. Damn you, you pirate. Over to the bank we drove. The bank was fun because it had lollipops and when I went to Quizno's the other day, I remember whenever I got pickles and that dude at the counter stared at me, I imagined in my head I was screaming "Fuck yeah pickles!" Like a freak. Maybe then they'd all go away. You know, if they thought I was obsessed with pickles and profanity.
So at the bank I got a lollipop and I looked at the trash can. It was ugly. There was a suspect woman with a suspect bag of money there, in a paper bag. Curious, I left. I was still nose-deep in thought and I know why I'll never drink: I'm already drunk. I'm already high. I'm already stoned. It just comes with being me... If you think that stuff is bad for you, just wait until you sit down and try to be "wise" at age 15 (almost 16). Then your brain will be fried, but not from loss of brain cells: from a gain! And then you'll grow up scarred, filming suburbia in your underpants and sprinkling the lawn with ketchup while you stay up making cakes with your husband at 4 am (now THAT is what I call the good life). So my brain is fried. I wonder if they have rehab for thinkaholics? Hmm. Investment.
Anyways, then we drove over to some building that reflected the cars passing behind me. I felt like I was watching a play where Ben (Songs for Silverman was on by this time-- I'd moved on from Ben Folds Five the album and Way to Normal) was the soundtrack to my car-watching. They all looked the same and none of them revealed any faces or anything; for all I know, they could have just been ghost cars floating along to Hell. I don't really know. Does anyone? And they didn't see me at all. I was just some girl blasting "Gracie" and laughing and sitting with her feet up. Oh, well. I sat there for a while and just enjoyed music. The way life should be (plus the ketchup on yards and stuff you know!). Heading home, I was nodding off and I went up to my room. I played Way to Normal (Hey, do you think I've referenced Ben Folds enough in this entry or what?) at least 3 times and dreamt of Kylie. Kylie, Kylie. And Cologne.
Before Cologne and Cologne make me so sad. I mean, come on... It's about a divorce. I guess "Bitch Went Nuts" is a little less tender. And "Errant Dog." Then I opened the window and just looked outside for who knows how long. Observing the street that will one day miss me. I'll miss him. I miss all them. I missed the past and the future all in the moment.
Well, later I made a cake.
Well, later I listened to Regina Spektor.
And I know... You know how you know when you're famous?
People making a YouTube video of one of your songs played backwards. Then, my friend, you are famous.
Now it's some time of night and I have to go upstairs. And eat something.
And put a warm sock on my face, but we all have our ailments and idiosyncrasies.

I Gave My Hands a Bubble Bath

So I went to the salon and I sat in a warm chair and read magazines, and from all of the faces stared back at me the same thing: a beautiful face, full lips, green or blue eyes, and a whole mess of nothing else. The words all kind-of said something but then they didn't. I tried to understand them but they were written for someone else, someone who'd understand the native tongue of the dead. That is not I. So I cracked upon a Bukowski book and read it there in the salon while young ladies in tight clothes complimented my dress and "where'd you get it." I gave them all a tight smile, and leaned back a little further. I felt out of place... I didn't belong in there... All those girls doing the hair and the color, they belonged there and at parties or somewhere else where they could wrinkle their brows at the likes of me. And me? I belonged alone in my room, slowly slow-cooking my mind with the assistance of scrambled verse and piano riffs. And pounding out obscene lyrics that the piano can induce and then chopping down the smooth, smooth silk of a triad, escalating down to sing of Magic and Moons and Dead People Trading Places With ANGELS. There's my place, and I belonged there so I just gave them a tight smile. The smell of baked hair and product caused me to nod off and nod off, but I didn't because that was the point. I had to stay awake and hold down the fort to remain paranoid and fill my head with a continual deluge of shit and think about Life. It was nice, but it exhausted me.
Next on the to-do list: Barnes and Noble it is! I went in there and I walked right up those escalators and right up to the man with a beard and requested some Ben Folds. He herded me over to the F section (of course...) and walked away carelessly. I figured he was a very nice man. Purchased the CDs, and headed back to the car and blasted "Bitch Went Nuts." Odd odd the way people are about their personal life. I wonder if that song was written about me if I'd laugh or feel upset. Probably both, since it usually seems to work that way and I just don't say it. Then I figured something out... It's really hard to be happy and be wise. Wise and happy. They don't go together. You get one or the other: the burden of thought on the wise man, and he's not happy because he's constantly thinking and thinking. And the happy person just kind-of lives like a bee that kills the flowers but he is so happy because he doesn't stop to look back on the dead flowers he left behind. Oh, well, bugger. Things die everyday. Some baby is being born in Japan right now to replace her, don't you worry!
Then in the restaurant,
(MORE LATER)

Tuesday, March 30, 2010

Listen To:

Selfless, Cold, and Composed by Ben Folds.

It breaks my heart.

A--(Intermission)--(Failure)--List

--23 and a Half Hours (LONG)
--They Sounded Much Like Children (Short)
--Boxing (Short)

---> Finding the typer. I need that typer.

--Or 23 and a Half Hours of Boxing

23 and a Half Hours of Boxing? Not a bad idea, Bianca. But not a good one.
I re-read Cufflinks and the admiration stuck. That's new. So I must be doing something post-adolescently. Something. Is it the jargon of a dead poet, or is it the lack of a plot and substitution of "Reader's Choice"? Or is it the consistency? Or is it the first attempt. It's all of the above. But Pattie and the Sheep aren't going anywhere. Neither is the Road Kill Inspector. She's staying right here. Staring at her dead cat, splayed across her jogging path. GOOD MORNING, WORLD!

Word Of The Day- Popinjay.
Snazzy, yes?

So, you may have noticed I've addressed a certain typer in my recent posts. I've decided to abandon my 3rd semester with another rather iridescent trait that I hold closely to my head: rationality. She will be taking a long walk on the beach, and I will set up an add for her in some newspaper. But until that plot wears off, I'll wear her off. Tricky! And then I will fill her hiatus of a semester's worth of work with the typer. The typer and the dictionary. Because I refuse to use choppers; I use knives and spend 30 minutes to chop an onion. Does that make you think me naive? Nay. Hard work does not produce a satisfactory product until the work grows weary with failure. Fail, fail, fail, then one day you will not fail. And that day will overshadow the rest, I think. I think.

WHAT THE HELL!
I just had an epiphany, about a day ago.
I must go, on that note.

Monday, March 29, 2010

They Sounded Much Like Children

A personal experience of mine, that took place today, made me love that phrase so much.
"THEY SOUNDED MUCH LIKE CHILDREN."
Isn't that hilarious? Hilarious? I thought it in one moment and then the next, I was on the wooden floors that collapsed a couple years ago--(makeshift floor)--and I'm laughing so hard. It's so fucking hilarious. I picked up my pink notebook and laughed my way to the door. A jolly, rotund laugh that was shaped on each side: not a curve with an inch bearing mistaken craftsmanship, not a slight change in noted lack of geometry, not on any piece of the laugh. I liked my laugh.
And you know about those facets? Well, yes, those facets. Like rubies next to a rich man's diamonds. They are a repast of every final and fanciful thought, and they reflect much like children onto the world. They broke some time ago, but it doesn't mean I don't think there "might be some good ones" and I "might make a dollar." Regina. Queen. Well, they're they're they're screwed up doctor! DOCTOR! They're screwed up! Says the man from behind the magazine with a face. The face on the magazine is pretty. The man behind her face is not. The doctor is a somewhat tepid drug cocktail of the two, ironically enough.
And these are the garden rose paths my mind goes on each and every moment. Apres vu, Le deluge. Every 3 seconds--One second to 100 scenes. At the sound of speech's voice, because I'm just human although I deny that truth every time I write and chance it at becoming something more, or something less (that subtle difference I have not differentiated yet). And thus it is dust, like Pattie said. Pattie the pioneer! Am I making an allusion, excuse me? Slap me, please. I am a yuppie.
"It felt just like falling in love-- again."
The ugliest lyrics were written.
Sung in the most eloquent susurrus of the fingers.
WHAT!
I'm so off topic. Yes, the facets. Well yes yes. And I sat in my father's car and thought of miscommunication and memories I would like to forget but not right now because they're still happening. And I thought about how I don't laugh. I wondered how the world saw me. A square; I'm a square. I don't really ever laugh, I just live. "Live, laugh, love." I do the first and the last... I leave the middle one to the moments where I don't intend to. The badinage: "Oh, Oh, Colloquial Text Inserted Here!" "HA-HA-HA."
The second idiot is me. I laugh. I laugh? I laugh in my mind a lot. Because everything is funny in there because it all makes sense the split second, the e, the unreachable interval after it transpires.
And you know: there are so many unformulated math formulas.
And You Know.

They just sounded much like children.
And look what I got.

I'm Not Quite Pregnant

So so so. Today.
What to say?
MY OBJECTIVES! No, not of the history variation that cause the displacement of hair to floor, to sink, to vomit in a bathtub. For years. Not those, idiot. No, not of the English variation that cause the stillness of the pen, the quiet epiphany--no need to write THIS.
Digression. No, I mean that I want to find the electric typewriter.
EXCERPT:
"Do you own a type writer?"
"Yes, I do. Why?"
"Do you use it?"
"No."
"Will you ever?"
"No. It's special to me; it was given to me by my father."
"What will become of it?"
"I guess I'll give it to someone."
"Who?"
"You, I guess."

I'm a lucky, lucky woman. Why is it that I want a typewriter? And to walk 2 miles. And to chew on lollipop sticks with no taste or hint of the lollipop I ate. ODD, ODD.
Practicalities have got me in a bind! AH AH AH! I just feel like shouting at the past for being so damned rote and specific: intervals and punctuation. The ability to spell "emulous" and be emulous itself and succeed, carry out the definition while fully knowing its meaning. I do not know. I was raised a little seed in a large field of stupidity. The Dawning of the Age of... Taurus, the stupid bull. Lacking. Jejune. I'm missing the war.
And I don't know what to say.
And I don't think I've said anything.

I need that typer.

Sunday, March 28, 2010

And I Cannot Compile

My 3 am phone calls
Into this. And I'm trying
Too hard and I'm on the phone with myself
And with the computing tapping
And we're all talking
And I feel like It's Summer and I'm just making up for lost time
But I'm not quite as crazy AS I'D LIKE TO BE!
I just discovered a button on my keyboard:
It's called the capitalization button
And you're stupid as Hell.
I can feel my insides moving to my shoulder blades
And back out through my earlobes
And resting on my thighs, like damned perverts.
Damned pervert.
And I type "I" now, instead of "i"
Because I'm not as imaginary number,
As I giggled from behind my math textbooks
And "TEXTBOOK" by We Are Scientists is clanging in the phone.
I'm now real.
And now, what?--3 months later--
I'm finally piecing these truths together
Because the past makes no sense when it's present.
Now I understand
Why you use capitalization
And you are so laconic and so garrulous and you know so many words and I don't.
And you are so slow to talk
So quick and nimble on the typewriter,
Peering at intervals at my hair
My hair is long now.
"Pretty, isn't it?" I think snide remarks are of their own class. Of sarcasm. Love it.
"Pretty pretty." HA-HA, Aphorisms. HE-HE, You're funny.
HA-HA, We're all so high and not so high. Never high but always high? Right?
We make no sense as we cry and as we shout.
This is the moment I will never forget
Because it never happened and I just created it
Right now
Right now right now!
I can create the past all I want;
Shape it with my revered geometric figures
And my compilations of what I believe to be true of it:
None of it is true.
But I'm crazy
As I ever was and will be (maybe more now than ever),
So I let myself believe.

If It Begins

If it begins with a quote, I won't read it.
If it begins with a anything, I won't read it.
I hate literature that they pour into our minds
In the schools and in the parks and in the pretty, fancy dresses.
I hate ALL OF IT.
Until I go home.
Then I Love It.

Isn't it funny? Bukowski, you fool. You published over 50 books of prose, novels, novellas, poetry, and other things with pretty and official names. But what were you doing? You were writing your mind on paper. On paper goes the human mind, and the money from desperate housewives goes to people who aren't you and you buy wine and beer. Bukowski, you'd hate me. I'm 15, I'm a girl, and I try to be not-me.
You know what I love about artists?
The true artists are the ones who have a genre unto themselves. They do not affiliate with a stereotype and feel the need to stick to it- LEST THE MASSES HAUNTINGLY WALK OFF WITH THEIR MONEY AND FAME! They find the scraps and remnants (I hate that work--too 7th grade) and compile some variation (6th grade--and impressive) of the works. They do it to escape the gnashing of teeth they endure as an artist. They sit there, stewing in their issues and dramatized moments of the past, they gnash and gnaw. The artist cannot escape. They can write. They write. It's the genre I call "This-Is-My-Mind." No rules, no punctuation (should you deem it so-- e e jr!), no spell check. The mind does not filter; the pen does. Aesthetics do, for the sake of themselves, their reputations! The years of history and graves and papers intercoursing with pens cannot be disgraced! We are like little children with the capacity to wonder and to defy our parents. What? I sound young. Can't have it. Can't have it.
Genre: subjective.
Subjective: 10th grade, honestly.
I'm a sad, sad, lonely person. As I laugh.

I Won't Name It Because Every Name Has Been Exhausted (EVEN THIS ONE)

Sorry for the deluge of literary shit.
It's for school.
"Portions from a Wine-Stained Notebook" is excellent, yet incomprehensible. The book: The book is understandable. The prose-poetry portion bearing that moniker: Quite difficult to read. It is the true uncensored insanity that fills the minds of the greats who spent years on the streets doing God-knows-whats and God-knows-who(re)s. It is amazing; the people that don't laugh or live... They seem not happy at all, but complete. Isn't it odd? We do live in a too-many world.
On a lighter note, I thus commence my homework. On a Sunday night.
GO ASPIRATIONS!

Counting Sheep

"Do we own a typewriter?"
"I suppose so."
"Do we own it?"
"Do we own anything?"
"Nobody owns."
"Yes, we own a typewriter."
Intermission.
"This typewriter is..."
"...Is it, now?"
"Very much so. I composed a story on it."
"And you couldn't before?"
"I could. But it never made it past my mind. Isn't this wonderful! Thank you, humanity, for making my dreams possible!"
"Let me read the story."
"If you wish."
Silence.
"And the final verdict is..."
"It was horrid."
"Oh, come on. Don't be harsh."
"I like to don it as 'honesty.' And it is honest."
"It's my first story..."
"I want to hear what's on your mind's pages; I don't want a translation onto real paper. It only mutes your true genius, love."
"Oh, yeah. Now you say that."
"Tell me a story. An old one, but give it a new twist."
"So pushy. So, so pushy."
"Well?"
"Well. There was once a small boy who herded... Ehm... Dogs. Yes, dogs. One time, this little brat wanted attention and called to his mama: 'HEY MAMA! Rin-tin-tin escaped, and with the mortgage papers, too!' The mama ran out of the trailer home with a broom and found Rin-tin-tin in the corner of the herding pen. 'STUPID MUTT!' she cried as poor Rin-tin-tin rin-tin-winced all the way into the corner."
"I don't think I've heard this one."
"Let me finish! So Rin-tin-tin turns very resigned and doesn't show up at meal-time anymore. He doesn't play with Lassie and Fido, but instead he just chews the fence wood very, very quietly. The little herder brat still is ignored by his mama, and he calls to her a few weeks after the Rin-tin-wincing incident: 'HEY MAMA! Lassie's been sneaking 'round the barn at night with some burly male German shepherd!' The mama ran out of the trailer home, but she didn't open the door because by now there was none."
"Where'd it go?"
"Sold it."
"Why?"
"Why else? Anyways, the mama ran out with a rake and yelled straight in Lassie's ear: 'HEY HEY YOU STUPID MUTT! I GIVES YOU THE BEST FOOD IN ALL THE COUNTY, YOU SNEAK 'ROUND WITH A BURLESQUE GERMAN SHEPHERD?! YOU DISGRACE OUR ENGLISH SURNAMES!' I personally think Lassie got the raw end of the bone, ironically. The little boy had, in fact, never seen a German shepherd in his life. Neither had Lassie. Lassie joined the ranks of the ruined with Rin-tin-wince--as the little herder brat now tauntingly called him--and never joined another feast of leftovers. She chewed the fence wood with Rin-tin-wince and sat in silence at his paws. Now Fido grew terribly jealous of the two, and believed that he was being ostracized for being the only happy one left in the lot. He grew impatient for a companion and kind word, and turned to the little herder brat for attention. 'You, hey. Stupid mutt,' the boy mused with kindness. He embraced Fido in his skinny arms, and Fido could smell the fear in the herder's breath. He absolutely reeked of the stuff! Fido stuck his nose inside the boy's mouth and the boy bit down, hard, and ran the dog out into the world adjacent to the fence. Outside!"
"This..."
"I'm almost done."
"Is..."
"I swear."
"I don't understand."
"You will. So the dog ran and ran until the sun stood at a standstill on the horizon. A lonely little speck of light could be seen at the base of the sylvan hills, and the dog decided to turn back for mealtime, even if Lassie and Rin-tin-wince wouldn't join him. He sprinted back into the direction the sun had faced earlier, but Fido was notorious for a lack of sense of direction. Fido slept through the night on a bed of dead bees, and awoke the next morning to a sky with both moon and sun present. The dog continued on his search for home. He smelled the fear before he saw it: the little herder brat sat at the steps of a door-less, windowless trailer house with a broom and a rake. The mama could be seen through the window--or I guess now it was more like a hole--and could be seen with a frying pan and a spatula. Lassie and Rin-tin-wince could be seen chewing wood. It was the same scene he had left, as if the scene had suspended itself and awaited his regal arrival. Gartered and smuggled in with pride, the little dog pawed his way to the not-door, until the fear was pungent enough to choke the most pugnacious of horses. The mama, noting Fido's return, came out with the spatula and slid a hunt of fried meat to the dry ground. 'Eat up, fellow.' She turned to her son and, grabbing his ear, shouted with a rage only that mama could accumalate: 'SON, YOU LIED. THAT DOG BEEN HERE AND RETURNED. YOU SAY THAT DOG RUN AWAY! WELL HE COME BACK! YOU STUPID MUTT! STUPID MUTT!' The stupid mutt speech resonated through the sofa's holes, through the roached on the frying pan, and through the boy's shoes as he scrambled down the steps in fear, reeking of it still. The next day, Fido saw the stupid mutts chewing on the fence wood and unhappily munched away on his fried meat leftovers."
"The end?"
"You got it."
"That was certainly an improvement from what you typed."
"What did I type? I can't even recall; it was around 4 a.m. last morning that I wrote that."
"You wrote as follows: 'Once there was a herder boy with three sheep. His family was poor, obviously, since they only had three sheep. When the sheep would seem too placid and start to anger him with their serene elation, he'd whine to his mama that they'd been getting into trouble. The mama would punish the sheep into its demise of emotion. The boy seemed pleased by this, because no one wanted to listen to him unless he was talking about the sheep. And he refused to talk positively about the sheep, because of their elated serenity. When he realized only one sheep remained, he felt much sorrow for the lonesome sheep and loved it as his own until it ran away out of fear of punishment and betrayal. The boy had nothing, not even a sheep to herd, and the family had not a sheep to their name to bequeath unto the boy. The family was the pitiful laughing stock of the city, and the boy was the pitiful laughing stock of the gods and the demons. The world was filled with laughter for years that passed from those days, and sheep were sheered and made into woolen coats that children laugh at when they wear them. The END."
"That is horrible."
"That is."
"I don't think I was awake when I wrote it. I dreamed it."
"This is why we should never tell our children to count sheep before they sleep. Foolish nonsense, all of it."

Pattie the Pioneer

"Dust didn't favor eyes, just as eyes turned away from dust in disgust. The two just don't fare well together."
Thus was the decision made at the cross roads, by the valiant and tremendous Pattie. Pattie, a male of a younger make and model, found the town he was born unto quite despicable. Pattie, an artist of an atypical sense, found the town mundane in that each corner followed a neat pattern and a mien of similarity. The only variation found in any of the corners were the certain people that inhabited them: the tall, the proud, the eagle-men perched on sidewalks made of dust and dust and dust.
Dust.
It had always bothered Pattie. He had gathered some into bottles when he was young, and he had smashed those bottles when he was old as he had gotten. He had sipped the dust from the bottles after having feigned a cocktail: one part dust, 8 parts hard liquor. The works. His defiance towards dust unsettled him, and he often spent his nights in the streets sleeping among the dust. Perhaps that's why he detested it so; it was his home, it was part of this despicable town in this despicable land of eagle-men.
Pattie was a writer, of a sense. He wrote what he read from his mind, and composed volumes of the obscenity and obscurity of those on the streets of Arizona's relentless turf. He never tried to make a living of this, though, because he didn't want to earn money. Money turns to dust, and dust gets in his eyes. So he wrote volumes and volumes of the years that had been placed in his life by some unseen Force, and speculated the events and composed formulas to his own life, and Pattie the genius lived in the sewer. Whenever a volume of 40 or so books (each composed of 200 or so pages), he spat on them, kicked them into the sidewalks, and kept on this way until he believed he saw blood coming from his foot. He regarded it as the books bleeding, and disregarded the pain in his foot as a parting feeling. Pattie was a genius.
People spat on Pattie in the streets, just as he spat on his life books. They kicked him but they never bled. All of the men that he owed money to, all of the women he owed explanations to, all
of the too-many-people in this too-many world. Too many. He never kept up with his debts or leaves, because what's the use, thought Pattie. He would never catch up once the cycle starts.
Debts and leaves were like dust, thought Pattie. They were started by the same Force that forced his volumes, and they never stopped. They started and blew in the faces of dinos and then autos and then new inventions and then Pattie. It's no use stopping the dust. It's no use paying the debt. He'd die one day, and the one he owed would die one day, and the debt would be gone.
Pattie lined the sidewalk home of his with his dust bottles. The green and grey stared back with immovable silence that was subjectively tangible. He sat on his belly button-- for lack of a belly filled with anything save beer, whiskey, and wisdom-- and he began the cross examination of the dust. Passersby slowly massacred him and the likes of him with their eyes, but he cared not. They mattered not to Pattie the genius. Pattie the pioneer. He laughed to himself, soft as a baby's, at the thought of himself appareled in a pioneering woman's frock. The grey and the black and the white, much like a maiden-mother. The baby grew into an insolent adolescent. The laughter built upon itself and filled every mundane corner with its presence. He even thought it reached China! The Chinese mothers were beating rugs and listening to Pattie the pioneer woman laugh. HA-HA, came the joyous peals.
A man kicked Pattie's side, hard.
"Shut up. I'm tired of the likes of you in our town." Massacre.
Pattie laughed at the blood that was on the man's shoe, because now the man had to clean. HA-HA, came the sadistic peals of the foot on Pattie the pioneer's side. HA-HA-HA. And the joke continued until Pattie felt rather breathless and the baby that had grown into an adolescent celebrated a rather tremendous number of birthdays and could hold no more years.
This is why Pattie hated dust. He became it in 100 year's time.

I Once Said Something Profound

In my mind.
It was during my showering time, mind you, yes.
Yes, and it was on the idea of
Poetry in relation to the poet and the public;
What it all means.
I had made sense of it.
The sense that I make
Comes from spurring of the most mundane of moments.
Those when I realize:
HUMANITY!
It's here.
Like a movie, much like.
And the quote out of context,
it remained there kind-of-silent
Among my cells and rattling shells and such.
It didn't really move.
I never really move.
And then later that night, or morning, or some Time
(Relativity and time bear no correspondence in my mind--
Their letters are punctuated heavily and terse, terse)
I viewed a cinema film
In my room
On my DVD Player that doesn't work.
And it was entitled A Serious Man.
The film rolled along
mundane
mundane
Mundane.
And it seemed
Like I was peering into a life
That I should not be.
A Peeping Tom(ette?).
And I wanted to turn away
In
Disgust
Because I didn't belong here.
But I don't feel the sense of belonging anywhere:
Don't Get Me Wrong.
I'm not saying that
My life
Is a
Downward
Spiral
Into
An Inescapable Hell of Sorrow.
Hell no.
The sense of belonging I lack isn't one that I miss.
It is inspired and ensued and ensured by myself.
Who would want to belong to such a breed?
Of insolence, of generation-seeking-heat-seeking missiles
And all they do is dissect and dissect the past;
And they fret and fret over the future;
And the present? Is no object to them.
I placed myself
Outside of that shindig. Thank you.
And so A Serious Man:
Almost seemed as though there was no point,
The entire story
Was just.. plotless.
It's one of those movies that will be churned up
In the paper two days after its release
With a title akin to:
"A SERIOUS MAN: SERIOUSLY DULL!"
"WE DON'T WANT SO MUCH SERIOUS; GIVE US ACTUAL HUMOR!"
"A SERIOUS MAN IS A FAILURE TO THE CONCEPT OF PLOTS, FILMS, AND EVEN REDUNDANCY!"
It's true; If you're everyone.
Those things:
The pointless courses
And the outlines
And the stupid monkeys that sit on house tops
And sing songs 3,000 years old.
"It's all stupid, Mama!"
It's true; If you're everyone.
Don't... Try to make sense of these things.
And take them
Into a perspective you don't hold.
You can't hold the world;
You are not Icarus.
Icarus?
I only have one short story to claim
As my own.
And it has no point.
I don't think anything
Does
Unless you will it to.
And I will it to.
I will, too.

But anyways;
I have no recollection
Of that profound thing I said
In my mind.
Or any of the aphorisms of the same genre.
Parchment of the soul
Is not even of the same make as
Parchment of the pen.

Saturday, March 27, 2010

Parallel Circles

I know there's something more that we don't know.
Not something that we know we don't know.
But we could know.
If we had the right telescope.
The right submarine, submachine.
Something, something that we look for
In the faces of the people in the
Movie theaters
and the cars they
Drive Away
from us in.
And we stare at the backsides of the old, old, oldold
Men and we laugh
At the ugliness that we see.
And we think of how ugly the world is.
And how beautiful we want ours to be.
And how pitiful everyone is.
But we keep searching, we keep inventing
New ideas and technology
And new mathematics concepts
And we think we've invented infinity
We think that by Jove we've got it!
The knowledge
and the surplus
and the movies and the people and the heinous crimes
We turn our noses to the cloudless sky
In
Disgust.
But we won't know...
It's not something that you can know you don't know
And you won't know
That you ever didn't know
Until you know.
You know?
I don't.
Then once we know we didn't know it;
We'll all just be human like the rest
With the same withheld information
All being common, communicated, connected
Without wires!
Wires, wires, wires.
Bleedin.
Bleeding.
All the voices that we heard
And the faces that we saw
And the backsides that we laughed at
Every note
Every single note
(Is this me talking?)
Won't matter.
Because we'll see.
And I wish I knew what this thing was.
I could say "OH YES OH YES
IF WE COULD JUST FIGURE OUT THIS
AND THIS CONCEPT
AND THIS NUMBER HERE
WE'LL ALL BE FREE!!!
ALL HAPPY!!!"
We're getting closer.
But we cannot share this.
Maybe maybe maybe.
Maybe I really am crazy
And one day someone will come along
with enough insanity to tell me
And we'll pull our notes together
We'll tell each other
What we've noticed:
The gaps, the missing parts of the universe
That are lost
And we are thrown distraction to not find them...
We'll reassess it all
And come to a final conclusion:
We are both crazy,
And we will fall in love to prove it.

Friday, March 26, 2010

All Of The Things

That I thought were "so easy"... Just got harder and harder each day.

Gah. This stupid discovery called music is making me so nostalgic for the present, if that makes sense. So today, I'm typing like a normal person. Sigh. I hate being normal. It's like I said to Susan and Bailey: I write like an intellectual, I speak like a stupid valley girl. Everything that comes from my mouth is plain, stupid, and facetious. Do I even want to talk like I write, though? If I did, no one would understand me. I'd get called a knowitall and no one would want to be my friend. Sigh, sigh, sigh. I'll be back to NOT normal soon, though. I guarantee. Every normal word that I type frightens me that I'm slowly and slowly approaching that line....... That line of linearity.
So I will write a poem!!
Oh, no. Warning: a poem written during one of my "normal" stints SUCKS. I swear. No one really reads this but still. Whoever may be reading this. It's going to suck.

Actually, no. I'm not going to write any poetry. BecauseBecauseBescause today is about nonconformity. And I realize that no, everyone else is me and I'm everybody else... When we all speak. We all speak and say the same things anyways, so why are we scared to speak? Well, we do anyways. And the silence is like a feast, a feast. And the words are like the food but it's no normal feast. Here's how it works, bub:
You talk. You supply food to the feast. The silence is yours, and some is leftover. TAKE IT TAKE IT! IT'S LEFTOVERS! You can still get your two cents in there! Go!
No, no. I don't want to be a dog begging for silent scraps that only mangle and choke my opinions. And what use are they, anyways? My opinions, their opinions, it's all the same. All the same. That's why the Devil's Advocate is such a lovely title to hold. Not a genuine one. See, here's the method: Play Devil's Advocate for fun, and then adopt the view. Adopt it, believe it, love it. This, of course, is subjective like every other thing in this world.
I sound like prime meat, don't I? But in this day and age, what isn't? There's something and I like to call it cleverness. We all have it. Why must...
See, this is the part where I should say goodbye and hang up my virtual pen and walk away before I make any more of a normal fool of myself. Every single word I'm writing is just making me cringe... I sound like a... Like a... 15-year-old girl... EW. She's not me. I'm not her. We're not each other. She's just general and she's just typical and she's just a stereotype of what I could be and chose not to be. And for a reason. No one wants to be that. Well, no, I lied.
No amount of words could make me feel better, though. Because they'll all sound like the one before it but with +/- the amount and and and and .... I don't know.


Thursday, March 25, 2010

A Diphthong of Days

All of these stupid, stupid songs. These stupid, stupid movies. And these STUPID, STUPID episodes of What I Like About You. They make me believe that maybe one day I'll have that. Or some variation of it. I don't want to sit at a fancy table and drink water from a wineglass. I don't want to hold hands in a meadow and shield my sweaty brow from the sweaty sun. And I do not... do not... want smalltalk. I don't want it. Who would want it?

I cannot think. It's one of those weeks where the thought just is gone somewhere, but I know he'll return again. He always does. Eventually. The first time he went away, I got real worried. Got. Real. Worried. I says to him, "Hey, hey. Where are you?" but there was no reply resonating in the echoing hollows that are: my mind. So I calls him again; I calls him 23 times and he won't show up for dinner or for any of my lovely afterparties. He showed up later, though. You know, he's lucky I'm so forgiving. If I weren't, I'd shut him out.... But then I'd become an adult. And no, we cannot have that yet. Or ever.

Goodmorning.

Monday, March 22, 2010

The Inventions of Ecclesiastes

Woe art thou, thine fineries and phrases of Realism.

Woe.
Art.
Thou.

Whoa.
Art...!
THOU?

WHOAARTTHOU.

I need less time.
God has been all too generous to me.

I need to write a compilation of 12 short stories and poems with a contemporary twist on the theme of Realism. The idea is simple. It should only take 3 weeks to compose these 12 works, given the amount of cookies I consume and the hours of sleep I don't get. With those circumstances, all is simple.

The difficulty? My reflexive criticism. My inability to achieve the quintessence of literature--such a high honour! All that had come in time's past has had the opportune Age of Reverence. An age where anything goes, anything is new. Nothing is new now. And now poor old Plato, deep within his grave in the Measly Way, is stirring for his rightful Nobel Prize in Literature, dated to the appropriate years that we could only surmise. But the late, great Plato has more of a sporting chance than I, or anyone, ever will. To be considered influential or talented. To be written about in a literature book that bored, glazed over students in a tiny, first year school will receive. They won't care; it's 8th hour--they want freedom, not the facts! Give me that air to breathe, man! But no, no. I'll be sifting silently in my own grave with the pure pleasure of being an afterthought after the afterlife. Afterthought-- what a connotation. I guess you could look at it in that way...

AFTERTHOUGHT--> It occurred after the original thought.
"So, would you like to go to the dance with my tonight?" a boyish smile hints from behind a telephone. But I cannot see this. I can only insinuate from the tone.
"No, your girlfriend just moved away and now you're lonely. I know it. I'm just the runner up." Honesty is the best policy, plays the record in my head.
"You're my closest friend who's a girl, and it'll be fun." The smile is growing weary with my inquisition. The final blow is coming...
"Honesty is the best policy, and you've proved to be a fine citizen of morals." I wipe the sarcasm off of my tile floor with a used towel. That damn fluid never ceases to exude.
I hang up.
I'm the afterthought.

AFTERTHOUGHT--> It occurred as a stemming of the original thought, in a reminiscing sort of way.
The phone line was dead as a doorknob. The boyish smile robed himself with a soft robe and nestled in his bed, left to stare at the cottage cheese walls of his room.
Here in the silence, everything turned to something else. Dressers were Australian wheat fields that shifted with the patterns of the sea. The clock was suddenly made of duct tape and coconuts that fell from an nestled deep in the East. The floor was a sky with white, white paint and blue, blue clouds made of bugs with shilling wings.
Here in the silence, he let himself muddle with insanity. Slowly, they waltzed on the broken shards of a reality... Break, break. The shards dripped through his ceiling that was a floor.
Break, break: went the plates downstairs. China's finest china was sent to its demise on a twin set of cottage cheese walls in the downstairs kitchen. Each night ended this way. His storybook of the civil war of mental capacity and the lullaby his mother supplied with her talents spurred by fury.
Furry fury. He turned the phrase over in his mind like a blueberry he had picked last spring, until a bee had stung him and he tossed it into the bush that conceived it. The bee flew away; job well done.
And suddenly he remembered-- blueberry shampoo. Who makes that? Who the hell owns that? Blueberry shampoo? What the hell kind of a...
She owned it. She smelled of it.
He turned her over in his mind, but the bees with shilling wings were frightened by the lullabies his mother kept resounding. The bees stung him at all sides and he was once again alone, with the scent of blueberry somehow on his lips.
She would always be an afterthought.


Funny, isn't it? I guess Matthew was right: there is nothing that can be looked at in only one way.

Sunday, March 21, 2010

The Origin of Repitition

Dear Jenna,
I'm giving Teen Ink a chance. Just for grins, giggles, and boredom.
Thanks for the suggestion, and my sluggish response, yes?

Signing off as,
Bianca

Thursday, March 18, 2010

Quelqu'un M'a Dit

Yesterday, I went to the rodeo for the first time. You see, how odd, is life, yes. Last year I refused to go. I was so different last year. A brat, I'd say. I'm still a brat, yes. But I hold high standards for myself: perfection. Impossibility. Lovely.
Anyways, I met some odd people there. I met a lady whose hair was very reminiscent of Meryl Streep's in "Death Becomes Her," and a freak at the freak show. I also ate some carnival munchies and didn't even feel sick. Wow, such a contrast. I'm enjoying this, no? But I do miss the days of heavy whining and crying and basically, emotion. Not that I'm an emotionless robot at all, but without sadness there is no weeping and no wheat to reap or sow. Basically?
When I look out of the car windows at people, I think of two things.
1) How the people don't look back. And when they do, they don't smile. Given, neither do I, but still.
2) That one time when I was about 6 and my brother said, "Look at that weird kid. He's just looking out the window at everybody." I'm him. Or I guess her, now. No... not a transvestite. I swear.

Something about correct grammar usage is just so sexy. i remembr wen i used 2 type lyk ths. Now when I look back on this, I outwardly and inwardly cringe in pure DISGUST! It's so... lacking. Of sense and sensibility. Shuddering...

Today is a less eloquent day for me. Sorry, my only 2 viewers. Sorry.

So,

Please.
Please.
Please.
Let me.
Let me get what I want this time.

More later!

Tuesday, March 16, 2010

Hey, Mr. Arnstein...


I swear. This woman is just so beautiful. Along with Regina Spektor and Zooey Deschanel, she is my fashion icon. I'm lapsing in and out of normal for the 7th time in forever. I just want to dress up all sweetly and feminine, gallop in some flowers, and find Mr. Perfect in those flowers. Although... what would a boy be doing frolicking in flowers? This is questionable and I must take it up with him one day. Yes, yes.
Being normal sucks.

Monday, March 15, 2010

The Entertaineress

Oh yes oh yes oh yes.
Life is looking up.
Spring break has always been an odd time for me. Breaks and I, we just never held hands quite nicely. He's always yanking me this way and that, and I, the same. Yes, yes. We never fared well. Just fulminated through nights of 3 ams and stomach flus and arguing over sheepish love. That's me for you.
But this break will be amazing. Yes, yes, amazing. Why you ask? I don't know why. I have an eye infection and I've been feeling sick lately, but for some reason I'm in the highest of hopes and moods. It's the stupid thing called love, then you combine it with hope, potential, and the future (add a pinchy pinch of naivety) and you've got yourself a fool. It's funny because everyone is confusing in their own way. I know I'm confusing; I confuse myself. But one day there's going to be two people, everywhere and anywhere, who want to stick around long enough to figure each other out. I used to think love was when two people mutually shared feelings of affection towards each other and just as mutually agreed to share them openly. Wrong. It's the mutual consent to read each other like books, pore through every page with a microscope, and even risk an eye ache or 10. Everyone will want to figure someone out. I love figuring people out. Does that mean I'm in love with every person I meet? Oh, gosh. Major polygamy issues here.
Today, I sang very loud and realized two things:
1) I have a horrible voice.
2) I love my voice.

Well, I've been slacking on my OCD about grades. Time to check my 4.0 again!